646f9e108c A psychologist, an Englishman, a bellboy and a wounded female assasin have their fates crossed at a sleazy Bangkok hotel.
In Bangkok, in a low-budget hotel called "Heaven", the fate of four guests are interconnected due to a theft in a room: Sean, a paranoid English drug dealer, that is dealing with a powerful local drug lord; the also British psychologist Rosa, who is grieving the loss of her son and making a research with poor children in Thailand; a seriously wounded killer, hired to kill the mobster; and Wit, a thirteen years old abused bellboy, that steals the guests. In the end, we see that it is almost impossible to control life, and sometimes, a subtle incident may lead to fatality.
I'll have to admit, I was pretty much confused by this film. All the flashbacks and flash forwards had me reeling. Nevertheless, I was fascinated at the same time. It isn't quite the same storythe Alex Garland novel. To begin with, it's set in Bangkok, rather than Manila. I've seen "Bangkok Dangerous," which is a film by some of the same crew, and I think this is the better film. However, there are some incongruous elements. For instance, the boy "Wit" seems to have wandered in from another movie. He reminds me of one of those mischievous Third World sidekicks from one of the later Elvis films (fans of Rhys Meyers may appreciate the irony here). He can't really act, and he's obviously not Thai, but he's a winning presence nonetheless. The opening scene in the hotel room reminded me of "The Matrix," with its slow motion bullets. Later scenes were out of the "Reservoir Dogs" factory. Sandwiched in between were a couple of interesting stories, especially the one involving Saskia Reeves,the psychologist who had lost her child. I also liked Jonathan Rhys Meyers, whose character is a mass of contradictions but who seems to growan actor with each film. See it for the film it could have been, but enjoy it for the experiment it is.
In Bangkok, in a low-budget hotel called "Heaven", the fate of four guests are interconnected due to a theft in a room: Sean (Jonathan Rhys-Meyers), a paranoid English drug dealer, that is dealing with a powerful local drug lord; the also British psychologist Rosa (Saskia Reeves), who is grieving the loss of her son and making a research with poor children in Thailand; a seriously wounded killer, hired to kill the mobster; and Wit (Alexander Rendel), a thirteen years old abused bellboy, that steals the guests. In the end, we see that it is almost impossible to control life, and sometimes, a subtle incident may lead to fatality.<br/><br/>I did not find the word "Tesseract" in Webster or American Heritage Dictionary, but in internet, I found that it would be a 4-dimensional cube. The explanation of this word is also provided in the introduction of the movie. Using this concept with four characters in a hotel, reducing to three and converging to one, the screenplay writer wrote a very original and intriguing story, apparently based on a book, confused in the first twenty minutes since it is non-linear, but attractive when the viewer understands the plot. I believe that watching for the second time, this film would be better and better, and that is my intention in a near future. I liked the idea of how difficult would be to control our destiny, which is connected and affected by the actions of other people. Jonathan Rhys-Meyers, Alexander Rendel and Saskia Reeves give great performances. I really recommend this movie to audiences that like a dark and different story. My vote is seven.<br/><br/>Title (Brazil): "No Limite da Realidade" ("In the Limit of Reality")


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